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Consulte nuestros proyectos y lanzamientos más recientes.
LA MAR
From the depths of a vast sea, Bita releases her first studio album, “La Mar,” a collection of songs and poems inspired by a dream she had about the forbidden love between a queen and her cohort servant during the 16th century. The music invites you to create your own images of the lyrics in your mind, as the story is as visual and sensory as it is musical.
NADIE SABE
by Bud Bunny, Co-produced by Carlitos Lopez, Tainy, MAG, La Paciencia.
IL DIVO XX
Produced by Carlitos Lopez, and recorded at L Music, Il Divo's Album XX (2021) is a special compilation celebrating the vocal quartet's 20th anniversary. The album features a mix of iconic songs from their career as well as new tracks that showcase their signature blend of classical crossover music, combining pop and opera. Released in November 2021, XX pays tribute to the group's enduring legacy, bringing together their distinct voices. The album is a celebration of two decades of global success, offering a refined selection of emotional and powerful performances.
The Shoe Bird
An adaptation of Pulitzer Prize winner Eudora Welty’s only children’s book, "The Shoe Bird.
'A Merry Little Christmas’ by ILDIVO
the Holiday EP ‘A Merry Little Christmas’ by ILDIVO is out now!
Tainy DATA
Tainy's album is a vibrant, genre-defining work in the Latin urban music scene, blending reggaeton, trap, and pop with precision and creativity. Known for his unique soundscapes, Tainy fuses percussive rhythms, catchy melodies, and cutting-edge production techniques, pushing boundaries while honoring reggaeton’s roots. Featuring a dynamic roster of collaborators, the album explores themes of love, heartbreak, empowerment, and celebration, showcasing Tainy's ability to adapt his style to various moods and tempos. With innovative beats and infectious hooks, the album solidifies Tainy’s influence as a key architect of modern Latin music.
Viviré
Marcos Witt’s Viviré (2001) is a heartfelt live worship album that blends Latin rhythms with gospel and pop influences. Produced by Carlitos Lopez and recorded at L Music, the album features honest and uplifting songs that inspire spiritual hope and joy, especially in challenging times. Viviré includes collaborations with talented artists like Lilly Goodman and Kimi Richards, enhancing the album’s rich sound and message of faith. Marcos Witt’s passionate vocals and deep connection with his audience make Viviré one of his most memorable and impactful works.
Fantasía Andina
Colombian Andean music for solo piano and piano and orchestra by Colombian composer and pianist Germán Darío Pérez, and produced by Carlitos Lopez.
Mestizo
Mestizo is an instrumental album by the Colombian pianist Laura Lambuley that fusions the powerful rhythms of Colombian and Venezuelan joropo, with Jazz music and classical piano. This album explores also different ensambles like piano and Llanera harp, piano and orchestra, and Laura's usual ensemble of piano, cuatro, bass and maracas.
Produced by Carlos Fernando López, Laura Lambuley.
Laura Lambuley, Piano. Edmar Castañeda, Llanera harp. Rodner Padilla, Electric bass. Algelvis Sánchez, Electric Bass. Henry Linares, Cuatro. Juan Ernesto Laya, Maracas.
Mixed by Nicolas Ramirez
Mastering by Jorge Santos
Label: L Music-LandL Entertainment,LLC
Produced by Carlos Fernando López, Laura Lambuley.
Laura Lambuley, Piano. Edmar Castañeda, Llanera harp. Rodner Padilla, Electric bass. Algelvis Sánchez, Electric Bass. Henry Linares, Cuatro. Juan Ernesto Laya, Maracas.
Mixed by Nicolas Ramirez
Mastering by Jorge Santos
Label: L Music-LandL Entertainment,LLC
Lignarius
Lignarius is dedicated to the memory of Juan Pulido. It is an album inspired by very personal and intimate experiences and memories. In each piece, the composer intends to picture either a retrospection, a representation or a re-signification of recent reflections about his childhood, his kids’ childhood, his identity, beliefs, about war, love, among others.
Composition, Production and mixing: Carlos Fernando López.Performers: Prague Philharmonic Orchestra, José Valentino, Marek Elznic, Laura Lambuley, Michael Hawes, Morena Kalziqi, Manuela López Lambuley, Carlos Fernando López.
Label: L Music - LandL Entertainment, LLC
Composition, Production and mixing: Carlos Fernando López.Performers: Prague Philharmonic Orchestra, José Valentino, Marek Elznic, Laura Lambuley, Michael Hawes, Morena Kalziqi, Manuela López Lambuley, Carlos Fernando López.
Label: L Music - LandL Entertainment, LLC
Latin GRAMMY® Winner Composition - “Sacre”
A Classical Contemporary Composition providing Hope during this era of uncertainty and social injustice.
Composers Carlos Fernando Lopez [who performed the piano] and Dr. José Valentino Ruiz [who performed the flute] aimed to create a piece the takes listeners on a sonic journey portraying the human experience; the beauties of cultural diversity, inclusivity, and equity which is (1) musically-observed by the respect, unity, and dialogue between the pianist and flutist, and (2) reflected in the harmonic, rhythmic, and timbral expressivity inspired by the quartal and harmonic traditions of Western European's Impressionism, Afro-Latin American polyrhythmic drumming, and indigenous textural expressions on the flute akin to the Colombian zampoña and Peruvian kena.
In just five minutes and twenty-five seconds, Lopez and Ruiz, provide a chronological road map of the human condition evoking the sacredness and inception of birth to a person's emotional uncovering of the world being both breathtakingly-beautiful [hence the breathy flute sound] and turbulent [hence the piano insinuating pain, war, and struggle]. Ultimately, the listener arrives to a halt and an inner destination where s/he realizes that life well-lived requires for humanity to humble themselves and connect with the Creator [evoked with the rubato drone of "eternity" played by the piano and the vocalizations on flute] to plea for restoration for the world. Through the eye’s and ear’s observance of "what IS sacred" such as people's lives, people's identities, people's heritage, and people's hopes and dreams, the person realizes that sacredness is omnipresent and must be preserved, not abolished.
Composers Carlos Fernando Lopez [who performed the piano] and Dr. José Valentino Ruiz [who performed the flute] aimed to create a piece the takes listeners on a sonic journey portraying the human experience; the beauties of cultural diversity, inclusivity, and equity which is (1) musically-observed by the respect, unity, and dialogue between the pianist and flutist, and (2) reflected in the harmonic, rhythmic, and timbral expressivity inspired by the quartal and harmonic traditions of Western European's Impressionism, Afro-Latin American polyrhythmic drumming, and indigenous textural expressions on the flute akin to the Colombian zampoña and Peruvian kena.
In just five minutes and twenty-five seconds, Lopez and Ruiz, provide a chronological road map of the human condition evoking the sacredness and inception of birth to a person's emotional uncovering of the world being both breathtakingly-beautiful [hence the breathy flute sound] and turbulent [hence the piano insinuating pain, war, and struggle]. Ultimately, the listener arrives to a halt and an inner destination where s/he realizes that life well-lived requires for humanity to humble themselves and connect with the Creator [evoked with the rubato drone of "eternity" played by the piano and the vocalizations on flute] to plea for restoration for the world. Through the eye’s and ear’s observance of "what IS sacred" such as people's lives, people's identities, people's heritage, and people's hopes and dreams, the person realizes that sacredness is omnipresent and must be preserved, not abolished.
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